the gloomy eastern europeans--kafka & schulz, especially; gogol & turgenev; par lagerqvist (the dwarf); faulkner, flannery o'conner, donald barthleme, richarrd brautigan, jane austen, charlotte bronte, russell edson, ana hatherly (portuguese), some special editors, people i meet in passing, erotic moments of all kinds, cats who use my manuscripts to sleep on, celan, wallace stevens, yeats, william stafford, the UCB library, winnicott, leibniz, heidegger, wittgenstein, lots of philosophy of science, highway 5, little streets in Paris, weird industrial sections on the outskirts of town, friends, all my students, my son and the journey being a mother
here's a refreshing article about the work habits of published writers--all different(these are novelists, so a lot of them do research; but the various work styles apply to poets and writers of shorter fiction) http://online.wsj.com/article/SB10001424052748703740004574513463106012106.html
In relation to the blog below, see the review of MEMORIES OF THE FUTURE in the NYTimes this Sunday. http://www.nytimes.com/2009/10/25/books/review/Schillinger-t.html?_r=1&ref=review Another writer who blurred the lines between sleeping and waking, nightmare and reality.Deep down, this kind of writing, raises a profound human question: What is it to be fully awake? and What is it to dream? ...
Flash fiction, or the short short story, has always had an intimate relationship with surrealism, and literature of the absurd. It is a short, urgent letter that can convey urgent messages, partly through omission. That these slightly tilted, less conventional forms of fiction are returning is evidenced by James Wood's article in The New Yorker about short-short story writer and prose poet, ...