Here it is, one I love, by Stephen Dobyns:

How to Like It   

These are the first days of fall. The wind
at evening smells of roads still to be traveled,
while the sound of leaves blowing across the lawns
is like an unsettled feeling in the blood,
the desire to get in a car and just keep driving.
A man and a dog descend their front steps.
The dog says, Let's go downtown and get crazy drunk.
Let's tip over all the trash cans we can find.
This is how dogs deal with the prospect of change.
But in his sense of the season, the man is struck
by the oppressiveness of his past, how his memories
which were shifting and fluid have grown more solid
until it seems he can see remembered faces
caught up among the dark places in the trees.
The dog says, Let's pick up some girls and just
rip off their clothes. Let's dig holes everywhere.
Above his house, the man notices wisps of cloud
crossing the face of the moon. Like in a movie,
he says to himself, a movie about a person
leaving on a journey. He looks down the street
to the hills outside of town and finds the cut
where the road heads north. He thinks of driving
on that road and the dusty smell of the car
heater, which hasn't been used since last winter.
The dog says, Let's go down to the diner and sniff
people's legs. Let's stuff ourselves on burgers.
In the man's mind, the road is empty and dark.
Pine trees press down to the edge of the shoulder,
where the eyes of animals, fixed in his headlights,
shine like small cautions against the night.
Sometimes a passing truck makes his whole car shake.
The dog says, Let's go to sleep. Let's lie down
by the fire and put our tails over our noses.
But the man wants to drive all night, crossing
one state line after another, and never stop
until the sun creeps into his rearview mirror.
Then he'll pull over and rest awhile before
starting again, and at dusk he'll crest a hill
and there, filling a valley, will be the lights
of a city entirely new to him.
But the dog says, Let's just go back inside.
Let's not do anything tonight. So they
walk back up the sidewalk to the front steps.
How is it possible to want so many things
and still want nothing? The man wants to sleep
and wants to hit his head again and again
against a wall. Why is it all so difficult?
But the dog says, Let's go make a sandwich.
Let's make the tallest sandwich anyone's ever seen.
And that's what they do and that's where the man's
wife finds him, staring into the refrigerator
as if into the place where the answers are kept—
the ones telling why you get up in the morning
and how it is possible to sleep at night,
answers to what comes next and how to like it.

Jessica Barksdale Inclan www.jessicabarksdaleinclan.com

Well while Trump is not quite a dog of fiction, I think Hogarth's pug is for me the champion. William Hogarth did several engravings that included Trump. One can see in them real affection which is in direct contrast with the general cruelty of the age (a topic of his engravings too). Next to Trump, is the dog belonging to the villain of "Oliver Twist" by Charles Dickens. Bulls-eye. He has my pity, and the depiction of him trembling is so poignant, and his end so tragic:

He acted upon this impulse without delay, and choosing the least frequented roads began his journey back, resolved to lie concealed within a short distance of the metropolis, and, entering it at dusk by a circuitous route, to proceed straight to that part of it which he had fixed on for his destination.
The dog, though. If any description of him were out, it would not be forgotten that the dog was missing, and had probably gone with him. This might lead to his apprehension as he passed along the streets. He resolved to drown him, and walked on, looking about for a pond: picking up a heavy stone and tying it to his handkerchief as he went.

The animal looked up into his master's face while these preparations were making; whether his instinct apprehended something of their purpose, or the robber's sidelong look at him was sterner than ordinary, he skulked a little farther in the rear than usual, and cowered as he came more slowly along. When his master halted at the brink of a pool, and looked round to call him, he stopped outright.
'Do you hear me call? Come here!' cried Sikes.
The animal came up from the very force of habit; but as Sikes stooped to attach the handkerchief to his throat, he uttered a low growl and started back.
'Come back!' said the robber.
The dog wagged his tail, but moved not. Sikes made a running noose and called him again.
The dog advanced, retreated, paused an instant, and scoured away at his hardest speed.
The man whistled again and again, and sat down and waited in the expectation that he would return. But no dog appeared, and at length he resumed his journey.
Retrieved from "http://en.wikisource.org/wiki/Oliver_Twist/Chapter_48"

The Original Best Friend

The other day on NPR I heard a wonderful installment of In Character about Lassie, America’s first wonder-dog. We tend to forget (as with all great characters) where Lassie came from. Though the name is now mired in sentimentality and gooeyness, not to mention implausible inter-species communication, the first Lassie is from a 1938 novel by Eric Knight. No one remembers Mr. Knight or his book—I didn’t even know it existed—but this is the character that started it all.

I would argue that in contemporary American culture, Lassie set the bar for loyal pups. I argue this just because of all the connotations the word ‘Lassie’ now carries. Whenever a word becomes charged with culture like that, it’s hard to argue that the underlying ideas weren’t influential.

You can hear the original broadcast of the Lassie piece at http://www.npr.org/templates/story/story.php?storyId=17894690

-Ben Pfeiffer