When Everything Comes Back: My ideas of Ying & Yang
This week I found the real Ying and Yang all around. When things are bad personally? Professionally it seems to always rise above.
Then all of a sudden when you so need for the Ying and Yang to balance itself out? It magically does.
Thursday I was honored to work on Milk (The story of California's first openly gay elected official, Harvey Milk, a San Francisco supervisor who was assassinated along with Mayor George Moscone by San Francisco Supervisor Dan White) For those who are not in the know of this particular story, it was fodder in the late 70's for the more than surreal "Twinkie Defense"
For those who are not in the know now? It stars actor Sean Penn and directed by Goodwill Hunting director Gus Van Sant. It has brought Hollywood to The Castro of San Francisco.
I was called in to play a character named Gweynn. What I thought was just a nicety from the casting agent to have a "name" for pretty much an over-hyped SAG extra was wrong on my behalf. When arriving to set a very nice man asked me "Are you playing Gweynn"
I said yes. He said "Hello. My name is Cleve Jones" I'm standing and talking next to San Francisco Political Activist greatness.
He tells me about Gweynn. One of the first black women who were very active in the causes. She was not gay, but she cared about these causes. "A Warm Smile...but you never really wanted to cross her" he told me. I was also informed, at 5'10 I probably dwarf her by 6 inches.
I find myself lately being in the presence of people very influential in the world of politics. And now I'm here with Mr. Jones and Supervisor Tom Ammiano (who remembers me from a separate Mission incident that one day I will write about) on a set of a movie. Both men incredibly warm. Both men lovely.
I spend eight hours in a basement apartment in the Castro shooting a scene with a few other actors and Mr. Penn (who looks strikingly like Harvey Milk...and he has pretty much nailed how he sounded). If the world has not figured it out already? Even with his "Bad Boy" Personality (which I saw NONE of on set) he should officially be considered America's Better Actors. Watching him work within that character...and the improvising within it? Did my actor heart some good.
The Ying of my Yang personal life. Joyous.
The Yang of my Ying Professional life. I somehow misplace my ID and SAG card and find this out only to head to Sacramento the following day to perform for two days.
My husband and I get a hotel room. Somehow I actually am able to get into the hotel by showing my credit card and SS card with no physical ID.
The rest of the weekend performing and teaching and being in Sacramento. Wonderful
The Ying of the Yang of personal life. Joyous
The Yang of my Ying: I leave my IPOD at the theater only to head to back to get it...then on the Ferry heading back to SF...I think I have lost the cord to my laptop.
I'm on the Ferry coming down from Movie roles and teaching improv gigs and settle into some hard realities. Outside of an upcoming D&C...I now how to deal with the idea that I have no ID, I have to get online and replace my SAG card and now I have to find an exact cord to plug myself into for work.
I look across the water wishing the Yang would Ying out a bit.
Hans and I fall dreamily asleep on the Ferry. We wake up to see us pulling into the city. I grab my computer bag. It turns out that the cord is not lost. It had just fallen out of the bag upon sitting down and slid under the case.
Yang Yinged Out.
We head out on the street of Fisherman's Wharf. Hans is convinced we have to lug our bags across the street as he was convinced we would never hail a cab. I see a cab. I put up my hand. He rides two crowded lanes over and gets us.
I'm Yinging all of a sudden.
The cabbie was a sweet man and we all chatted and joked about. He tells us he lived three doors down 22 years ago and asked if "The Nutty lady" still owned the place. Nope. No more Nutty Lady. I told him I might be the surrogate to her and he says "Maam...you are wearing Clothes in public...."
I get out of the car and Hans opens the gate and lets me in. I notice flowers.com has delivered a package. It is from my friend Jesse and his wife. He is my Corny Betty.
Hans notices a pack of Empty American Spirits. The package was apparently used to weigh down what was inside of the plastic.
Someone had found my ID and SAG card. Put them in a pack of American Spirits, came to the house and threw them inside for me. There was no note. No one to thank.
I look at Hans "Everything has come back" I said.
The gods somewhere said "Okay, we are going to cut you a break here". I think they decided to Ying us a bit while Hans and I dreamily slept riding along The Bay.
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Thomas Dotson says:
Wow that's fantastic
What great news Shaun. I follow your blog entries quite regularly and they are always compelling. I'll be looking for you when "Milk" makes it to the big Screen.
Clinton Fein says:
Feeling Yangish
I'm glad I read your blog this evening.
I was tired and grumpy running a couple of errands in the Castro last week, and happened to get caught in the filming of a crowd scene for Milk. I took a couple of photos with my cell phone. "No photos," shouted someone, presumably with the crew. "No photos?," I thought. "Hardly. This is a public street in my city, and I'm a photographer. Get drapes."
I defiantly snapped a couple more, before popping into a little magazine store to pick up a couple of magazines. On my way out, someone from the crew ushered me out of the way by giving me a slight nudge. He didn't mean to be rude, and was surely just doing his job, and I doubt was the same person who had shouted before. "This isn't actually the seventies dude, fucking touch me again and I'll show you what sexual revolution looks like," I almost said, and thankfully didn't. But I found myself irritated.
Irritated that some Hollywood moive set was interfering with my routines without my permission or even a polite request, rather than appreciating the filmmaker's attempts to accurately portray the Castro.
Irritated that it took this long before Hollywood felt that Harvey Milk's story was safe enough to make, rather than appreciating that they were making a movie that would educate millions as to who Harvey Milk was.
Irritated that you still have to be a pretty accomplished actor to portray a gay character, rather than appreciating that a talented and unlikely actor was cast as Harvey Milk. (Despite Penn's evolving reputation from a political standpoint, and my own encounters with him, which I will write about another time).
And above all, irritated that the crowd scene being filmed had more extras at what was a recreation of a protest rally than one could ever wish for to show up at a real protest rally today concerning issues confronting the gay community (a term I use with reservation). There was no "rather than" for this one.
I'm neither tired nor grumpy right now, and your post allowed me to focus on the good things about the making of this movie. Thanks for that.
Shaun D Landry says:
In defense of being irritated about how long....
this movie took....I talked to a lot of people including Cleve Jones and they have been trying to make this movie for years and it has always fallen through for some reason. They finally got the right writer for it...along with the support of the people who really worked with Harvey.
That is not a political gay thing. That is a Hollywood thing.
You will be very surprised how much Mr. Penn got Milk down. I think with an unknown actor it might have been good. But, he is doing Milk some justice just from my honest actor/writer standpoint.
I will also tell you this right now. With any movie set? There are some incredible Big Guys in a little headset egos that arise. It is pretty much the "Man beats woman...woman beats kid...kid kicks dog...dog bites cat...cat chase mouse...theory. When you are an actor, you almost become oblivious to how you are treated. It is almost like you are sleepwalking waiting for some person in a little headset to yell at you when you have done nothing. One guy in a little headset tells you to stand here...all of a sudden some guy comes up and yells at you on WHY you are standing there.
If you dare say "That person put me here" That person gets yelled at and in turn the rest of your stay is nightmarish. You just say "I'm sorry...where would you like me to stand" and suck it up.
Suck it all up.
On the set of Rent? I played a homeless person on 6th between Market and Mission. You know...Crack Ho with nice dance clubs and Tu Lan. They had blocked off the street. They would not let the REAL homeless people get on that street to get into their own single room occupancies. One homeless man screamed through...then stopped in front of me sitting next to a fake grate and screamed "YOU DON'T KNOW ME"
Know what? At that moment in time and space...I knew exactly what someone who was gone was actually talking about
The shoot ended at 4ish in the morning. Back to holding..changed out of my clothes and started to walk the four or so block home from the Mint. I was stopped on 6th and Mission (I SWEAR TO GOD) by an P.A that did not remember me out of costume asking me to move to the other side of the street. I just laughed and laughed. I had already signed out. This was my last day on this film.
I told him MAKE ME. I just spent 12 hours on this set. NOW MAKE me CROSS THE STREET for NO REASON.
Amazing how when you stand up for yourself after sitting down for 12 hours how Big Man with little headphone syndrome stops fast. Sorry guy. You were the boss of me for 12 hours. Now I'm just some tired SOMA chick wanting to go home, and has about 30 pounds on you. You are now the boss of NO ONE. I was willing to never get called in for casting again at that point by taking that little headphone and shoving it in a place where base camp would wonder why they can hear the sounds of his colon.
Just know this. They will be gone soon. And the Castro Movie Theater will look all the nicer for it. The world of the Castro will go back to normal Castro, non rude and non over crowded business...
That is...if they let Halloween come back to the Castro again this year. :)
I'm glad I could cheer you up. It was a actor moment of joy for me.