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The Twenty-first Century Creative Arts Symposium

A place to share your Creative Passions, what they mean to you, and could mean to the world.
The Twenty-first Century Creative Arts Symposium
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  1. Rev. Bella  SoulWhispers
  2. Mel Casey
  3. *    Aberjhani
    * Aberjhani posted a response to the conversation: The Quotable You
    7 weeks 6 days ago
  4. Sam Bell
  5. Eric Nichols
    Eric Nichols posted a response to the conversation: The Quotable You
    11 weeks 1 day ago
  6. Renae Lawrence

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1) Enjoy a healthy, stimulating dialogue with others while feeling free to post creative expressions of your own. 2) Please refrain from personal attacks. 3) Respect the opinions of others. 4) Avoid gross/profane language for its own sake; including hate diatribes and sexually explicit or pornographic posts.
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“Art has to do with the sustaining and invigorating of the Personality. To be strong is to be happy. Art by expressing our feelings makes us strong and therefore happy.” --John Butler Yeats in letter to Edward Dowden, 31 Dec, 1869 Among the world’s creative thinkers and cultural workers, some achieve notable “success” that allows them to practice their specific creative discipline unhampered. Others attain more modest accomplishments, yet, nonetheless, often make a meaningful difference in the lives of those who encounter their work. This tends to be true whether the creative artist in question is a writer (novelists, playwrights, poets, journalists and bloggers included); or a fine artist (painters, sculptors, illustrators, fractalists and photographers included); or someone such as a teacher, social visionary, scientist, philosopher, soccer mom, or spiritual seeker. Although people on certain parts of the planet sometimes find themselves challenged to assign tangible values to the labors of creative artists, we see that value applied to individual and collective lives on a regular basis. We see it when young people laugh out loud in the company of parents or friends as they sit in a theater together or watch a video at home. We recognize it when a media mogul acknowledges the role books played in her development and survival; and honors that role by giving the publishing industry a powerful boost with a world-wide book club bearing her name. And we see it when presidents, prime ministers, queens, and kings in need of added wisdom and insights turn to the diaries and memoirs of those who led before them. Part of the governing principle behind The Twenty-First Creative Arts Symposium derives from the above quote by the Nobel Laureate William Butler Yeats’ father: John Butler Yeats. We probably should note here that Yeats’ concept of “Personality” was something very close to “illuminated consciousness,” or even “soul,” as opposed to simply a talented, unique, or eccentric manner of behavior. He was a strong champion of poets and therefore raising one to win the Nobel Prize was something of a cinch for him. And he likely would not have disagreed with W.E.B. Du Bois’ statement that: "The thinkers, dreamers, poets of the world must be its workers. Work is God." No such grandiose expectations here at The Twenty-first Century Creative Arts Symposium but neither will anyone be discouraged from reaching for the same. Simply put, we are here to discuss, inspire, debate, share, and inform creative endeavors with the hope that by doing so, we help to make each other and those who value our artistic endeavors a little stronger and a little better. Aberjhani

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Topics » Arts & Culture

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March 30, 2009

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Club Guidelines

1) Enjoy a healthy, stimulating dialogue with others while feeling free to post creative expressions of your own. 2) Please refrain from personal attacks. 3) Respect the opinions of others. 4) Avoid gross/profane language for its own sake; including hate diatribes and sexually explicit or pornographic posts.

The Quotable You

In this discussion, we invite you to share from your own works quotable excerpts that you feel represent some of the best or most interesting writing/thinking you’ve done thus far, or simply that you feel others might enjoy pondering. The excerpt may be anywhere from a single sentence to a paragraph long and taken from any genre.

The heading should include where the excerpt comes from. The quote itself should probably stand on its own, but include if you wish a one- or two-sentence introduction to provide any context you feel it may require. Also, let’s make it one quote per post and no more than three total per author to give folks time and space to comment if they choose. Above all else, please enjoy the sharing.

Aberjhani

*    Aberjhani

* Aberjhani says:

From essay "Dancing with Madness, Dancing with Genius"

“Neither Genius nor Madness ever look upon the world as a finished product. Both tend to view it as a kind of work in progress subject to their peculiarly mesmerizing influence.”

Aberjhani

Jennifer Gibbons

Jennifer Gibbons says:

This is a quote from an email nine years ago...

a friend of mine loved it so much she used it as a tagline, so I'll share it with you all what I said:

"If that dopey doctor on Survivor can have an literary agent, hell, so can I."

Jennifer Gibbons, Red Room

*    Aberjhani

* Aberjhani says:

Inspiration after my own literary heart

That's pretty much the spirit for sure isn't it?!

 

Aberjhani
Founder of Creative Thinkers International
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

Eric Nichols

Eric Nichols says:

From "Vengeance is Mine"

“Hello?”
“Hi, Lisa. This is Vengeance Toy.”
“Venny! Is that really you?”
“No. I just thought I’d call someone up at random and tell them my name is Vengeance Toy.”
“Venny! It IS you!

*    Aberjhani

* Aberjhani says:

Man that is very funny :-)

Who would dare claim a name like that unless they loved it and meant it! 

 

Aberjhani
Founder of Creative Thinkers International
author of The American Poet Who Went Home Again 
and Encyclopedia of the Harlem Renaissance (Facts on File)

Huntington Sharp

HuntingtonSF says:

Mine's from a blog post

This one, to be exact:

"Note to self: Write more fan mail; be less angry."

In one way or another, I'm trying to implement the lessons in that sentence in every aspect of my life.

Huntington Sharp, Red Room

*    Aberjhani

* Aberjhani says:

Double Wow

I like your anger management technique but I truly enjoyed the blog post you linked to. Your enthusiastic esponse to the graphic novel and your passion for literary camaraderie here at Red Room is beautifully contagious.

Aberjhani
Founder of Creative Thinkers International
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

*    Aberjhani

* Aberjhani says:

On the Literary Life from Interview with singer Nhojj

”Overall, my books represent a kind of shared communion and meditation with my fellow human beings… The books are also a part of what I call the great continuum of spiritual literary dialogue that I feel has been in progress since human beings first gave in to the urge to pray to their sense of something greater than themselves and interpreted certain signs or events or silences as responses to those prayers. The whole history of oral and written literature as it existed in the past, as it is being produced right now, and as it shall exist in the future, comprises the living thread of that continuous dialogue, and my books are both my contribution to the conversation and my invitation to others to join it.”

Aberjhani
Founder of Creative Thinkers International
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

Eric Nichols

Eric Nichols says:

Yet another. :)

For some reason, my editor excised this from Plasma Dreams in the final culling. I forgot I even had it. :)

“We are here, Lisa.”
“Ah.”
“We will now get out of the car and see Venny.”
“Oh.”
“Why are you afraid? Even baby is not afraid of this woman.”
“Your baby eats second-hand muktuk. What could she possibly be afraid of?"

*    Aberjhani

* Aberjhani says:

Nice Save

I've always thought it smart for authors to set aside pages and passages taken out of their original manuscripts. This was a nice save.

Aberjhani
Founder of Creative Thinkers International
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

Brian  DeFlyer

Brian DeFlyer says:

This is a paragraph from my

This is a paragraph from my most recent piece. The context of the story is a man is falling down a giant tunnel and he is is attacked by three symbolic powers, pain, influence from beyond yourself, and primal evil. While those powers struggle over which one gets to devour the man, he comes to this epiphany.

"I will my light to grow brighter, I will with all of my consciousness that my light flourish and penetrate every crack. I look fiercely into the battle now, they do not realize it but I am now a combatant, I have a weapon against them all, understanding."

http://redroom.com/articlestory/as-i-fall-and-fall-and-fall

*    Aberjhani

* Aberjhani says:

Powerful epiphany

That was quite a powerful epiphany Brian. I need now to go check out the entire story but I'm thinking of using this short excerpt as a meditation affirmation sometimes :-)

And oh yes: Welcome to the group.

Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)

Eric Nichols

Eric Nichols says:

From Steel Stonehenge :)

.....A.M. had long since learned not to be overly dismayed by Wu's rambling rhetoric. Her own native Greenlandic people communicated almost entirely by metaphor and obscure analogy. The major difference was that, while A.M.'s obscure analogies might keep one mentally ruminating for a half hour over the dinner table, Wu's metaphors could cost the office of Naval Research ten million dollars a pop.

*    Aberjhani

* Aberjhani says:

A major difference

I would call that one big and important difference. Love the fine-line distinction between communication styles.

Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance (Facts on File)