Kevin Hearle lyrical narratives (poetry and prose), and literary criticism

Each Thing We Know Is Changed Because We Know It, and Other Poems

Each Thing We Know Is Changed Because We Know It, and Other Poems

Synopsis:

All places are complicated, because what one becomes depends on them, but I think poets who are native Californian's have bewildering ironic relationships to the place, and not just because California has changed. It's that there are references so strange, so odd, one feels he couldn't explain them to anyone.... Like Didion or Hass, Kevin Hearle is obsessed by an identity that doesn't exist in the world of others, a place (is identity possible without a place?) that doesn't exist anyway now, something that can't be expressed.... This is a brilliant first book, not because the poet is a native Californian troubled by his sense of exile from the place even though he lives there. It's brilliant because the poet is so gifted. By the end of it Hearle sees through his illusions, and cherished self-enchantments, has seen through himself, so that this book, at the end, looks out on the world. --from The Introduction by Larry Levis

 

Book Excerpt:

from "Water and Power"

Despite your thousand pious gigolo suburbs;

and even though I know the lies the angels tell the living

in Los Angeles--the way history eclipses history here

and passes into fable--this is my heritage: the land of the lawn

and the home of the sprinkler head. Oh, I have wasted my time

detesting the soap kings and the chewing gum barons--

so much time on the real estate men planning their floral parades

and football games. They were nothing;

each one mortal and pitiful. It is the lawn which has survived,

and which I hate, I do not think they would have come--

the bacon and ham millionaires of Illinois,

the five and dime rich merchants of Ohio--if

there hadn't been lawns for the making. Without dichondra

they would not have boarded the Pullman cares for Pasadena

and Santa Barbara. If not for the sprinkler heads,

which made an arid land seem green and neatly divisible,

the railroad speculators could not have brought Iowa west,

in square lots, to the Pacific. And,....

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Author Comment:

Poems from this book have been reprinted in California Poetry: from the Gold Rush to the Present (Berkeley: The California Legacy Series of Santa Clara University and Heyday Press, 2004), Unfolding Beauty: Celebrating California's Landscapes (Berkeley: The California Legacy Series of Santa Clara University and Heyday Press, 2000), and The Poetry Cure (Tarset, UK: Bloodaxe Books and the University of Newcastle Upon Tyne, 2005).

Topics/Categories:

California, Family, History, Identity, Memory, Normalcy, Place, The Body

Genre:

Narrative Poetry

Type of Work:

Poetry Collection

Publishers:

Ahsahta Press

Awards:

Finalist for the National Poetry Series individual poems nominated for Pushcart Prize

Original Publish Date:

1994-05-30

ISBNs:

0-916272-57-5

Publishing Notes:

First edition: 1994

Second edition: 1996

Third edition: 2006

Formats:

Paperback